And we just kind of trusted that whatever was going to be was going to be. It seemed like the way it went was sometimes Anthony would suggest mixing a particular song, sometimes I would, sometimes maybe Flea would. I had my own personal idea of what would make a good second album and what would make a good first one, but I didn’t feel so strongly about it that I took the trouble to go to the band and say, “Look, guys, before we mix anything, let’s make this decision right here and now.” I planned on doing that, but I just never did. I had my own personal idea of what would make a good second album and what would make a good first one, but I didn’t feel so strongly about it John Frusciante ![]() I definitely gave it a lot of thought, but it really came down to what order we decided to mix the songs in. When you were in the studio, did you have an idea of which songs would ultimately wind up on which record? Return of the Dream Canteen is culled from songs recorded during the same sessions as Unlimited Love. Every second on the stage feels worthwhile. And you know, throughout the show there’s lots of spontaneity.Įvery time there’s a solo, whether it’s a song that we don’t play often or a song that we play every night, I feel really creative in those moments. ![]() So by improvising right at the beginning, we get in touch with what the spirit of the moment is, and oftentimes that sets the tone for the rest of the show. Because every crowd is different and every venue feels different, and we’re also in a different mood every night. It’s a good way to really get in touch with the particular energy that’s there that night. But you guys approach the music in a more open and creative way. When you’re dealing with audiences in venues of this size, the goal of a rock band is usually to hit the stage and blow the fans’ hair back. One very cool aspect of these shows it that you, Flea and Chad begin the set with an instrumental improvisation. ![]() We all feel very supported by each other.Įvery second on the stage feels worthwhile John Frusciante Because we have this lifetime behind us of these meaningful moments playing together. And I don’t know that in the band we’ve ever been so appreciative of being there with each other before. There’s a lot of emotional moments like that. Or I get choked up and I can’t sing and I have to shut my eyes and stare down at the ground and collect myself. I really wanted to play for people, you know? But when we made the records, it was more about playing for the other guys in the band, or playing something that I’d want to play for my friends.īut going out onstage, there’s times where I go up to the mic to sing and I make eye contact with people, and I see two people that are clearly in love and really happy to be there, or a little kid who’s really happy, or a young girl who’s jumping up and down, or a group of guys that are jumping around in a circle because they’re so happy that we played the particular song that they really like. It pulls a lot out of you, especially because I came back into the band in a spirit of giving. It’s a real different experience, just because of the size of the stadiums. I came back into the band in a spirit of giving John Frusciante How has it been to perform with Anthony, Flea and Chad again? But you also returned to the stage with the band. That’s a significant amount of studio work. Since your return to the Red Hot Chili Peppers, the band has written and recorded close to 50 songs and released two albums. “It’s the vulnerability that I think is most appealing,” he says. He also took us inside Return of the Dream Canteen and the creation of some of its standout tracks, and discussed how he employs technical facility and knowledge of theory in the service of making an emotional connection on his instrument. In a wide-ranging interview with Guitar Player, Frusciante spoke about that openness, as well as the many aspects of his playing style and practice regimen that have helped make him the player he is today. “It’s beautiful when you feel like somebody’s putting themselves out there and taking a risk and just barely holding on, and it could become terrible at any moment if they lose it,” Frusciante says. It’s beautiful when you feel like somebody’s putting themselves out there and taking a risk John Frusciante There’s an increased focus and intensity, and also what appears to be a greater willingness to let loose and take his playing right to the edge. (Image credit: Michael Loccisano/Getty Images)īut everything feels both heightened and boundless.
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